This is an ongoing archive of Next Wave Alumni spanning our 35-year history. You can browse the list below or use the filters to find someone fast. If you have been involved in a Next Wave Festival and don’t have an artist profile yet, fill in the form [email@example.com](https://nextwave.org.au/next-wave-artist-archive text: here). If you have any questions, email firstname.lastname@example.org.
Ivey Wawn makes dance-based work for various contexts. Her artistic work and research centre on social relations and their historic specificities, with particular interest in relations of power, control and consent in the organisation of labour. She is committed to dance as a potential form of resistance; to social abstraction and commodification, due to its relative ephemerality and the opportunities it provides for sociality. Her works have focused on the wage relation, microbial reproductive labour, commodity fetishism, and invisibility among other things.
She was commissioned by Kaldor Public Art Projects to make Surfacing (2019) in the frame of Project 34; Asad Raza’s Absorption. Greyness and Infinity (2017) was commissioned for Underbelly Arts Festival and presented at RMIT Design Hub (2018) with the support of Liquid Architecture. Adventure Dances (2016) was made with support from DirtyFeet, and Colour Dances (Spectral) have been shown at various galleries and art events in Sydney since 2016. Ivey has a collaborative project with visual artist, Mark Mailler called Consejos de Farez, that has been supported by Critical Path and presented at First Draft Gallery. In 2020 Ivey is an artist in Next Wave Festival and will present a new solo in Dirtyfeet’s In Motion.
She works extensively as a performer primarily between Sydney and Melbourne, with national and international artists, including Angela Goh, Atlanta Eke, Asad Raza, Brooke Stamp, Melanie-Jame Wolf, Rhiannon Newton, Tino Sehgal, Xavier Le Roy and more. Ivey also sells her labour as a waiter between projects and is a part time student of Political Economy. She is grateful for the development support she has received from Ausdance NSW, Australia Council for the Arts, Bundanon Trust, Critical Path, DanceWEB Scholarship, DirtyFeet, Ian Potter Cultural Trust, Readymade Works, and more.