See what’s on from our base in Brunswick and beyond ↓
What will your body be, and how will it behave in a virtual future? Cthuluscene explores the transformative nature of the digital to discover different notions of gender, physicality, and the post-human. Through animation, motion capture, and dance, new physical forms expand the idea of the human body and dance performance. This work draws on the ideas of diverse bodies, and the post-human through the image of the Cthuluscene. The Cthuluscene is a post-human body caught between times, living both in the past and the future. Just like its Sci-Fi namesake, the Cthulhu, the Chthuluscene is a mixed assemblage and cyborg conglomeration of parts drawn from a range of human, animal, and technical elements.
On display 5pm-10am daily throughout Mar
Take a sly-octane wheelchair ride with Bruno Booth and PICA (tag us) in Dead Ends and Detours, an interactive outdoor installation meets obstacle course. Using a wheelchair, race against the clock and the system in a game of will.
WA friends, this ones for you!
You’re invited to experience Kickstart artist Elham Eshraghian-Haakansson’s work Anvár. Two years in the making, this immersive film-poem, explores the spiritual literature of Baháʼu’lláh, called the Seven Valleys and Four Valleys.
The creative development of Anvár is supported by Next Wave Kickstart 2022, and the Department of Local Government, Sport and Cultural Industries.
In this conversation the artists will discuss the transformative nature of the digital and the position of a body in the future and how this informs the making of their works. This talk is presented as part of FRAME: a biennial of dance 2023 followed by informal drinks at the Brunswick Mechanics.
Aaron Claringbold & Rebecca Mccauley
Sun 27 & Tues 29 Mar
📍 Berth 2, Federation Wharf, Princes Walk (in front of Riverland)
Leisuretime I is a photographic intervention inside an operating tourist ferry on the Birrarung/Yarra River, led by your friendly guide Catherine Ryan. Jump on board and join us in reflecting on the ways that photography has shaped contemporary understandings and uses of ‘natural’ spaces within the floodplains now known as Melbourne.
Float along the river seated within a camera obscura, disembodied from the outside world, and experience your surroundings reversed and upside-down, projected onto the vessel walls. Cruise with our guide as we take in some of the sights this city has to offer; floating riverside bars, outdoor BBQs, million-dollar properties, yoga in the park, and the oldest and largest surviving single dock in the world; asking, why did we get here, and how?
Content Warnings and credits
This production takes place on a boat that will travel down a river. Audience members will be in a dark space on a boat for the entirety of the show and will not be able to leave the boat for the duration of the performance. There will be low visibility during the performance, and audience members who experience claustrophobia and/or motion sickness are encouraged to contact Next Wave with any questions.
Commissioned by Next Wave for Next Wave Festival 2020. ‘Leisuretime I’ is supported by the City of Melbourne Arts Grants Program 2020, Creative Victoria and Regional Arts Victoria through the Sustaining Creative Workers Initiative, the Australian Government through the Australia Council, its arts funding and advisory body, and RMIT through its Photo Futures Lab.
Lead artists — Aaron Claringbold & Rebecca McCauley
Performer— Catherine Ryan
Scripting and devising — Aaron Claringbold, Rebecca McCauley & Catherine Ryan
Mentors— Willoh S. Weiland, Steven Rhall & Kate Golding
Thanks to Jamie Lewis and all at Next Wave for their trust, Con and Yarra River Cruises, Julieanne Axford and Gail Smith at the Wurundjeri Woi-wurrung Corporation, Roslyn Helper, Melanie Mackenzie at Museums Victoria, Eliki Reade, Bron Belcher, Tristen Harwood, Grace Connors, Christine McFetridge, Kelly Hussey-Smith, APHIDS, Marcello Rotar and Paul Murphy.
Aaron Claringbold and Rebecca McCauley are artists currently based in Naarm/Melbourne. Starting from a place of photographic practice, the pair bring together shared interests to explore land, land use, ecology and human presence within modern day ‘Australia’. Reflecting on their shared positionality as settler-descendant white Australians, they are interested in how we form ideas (and who benefits from these ideas) of nature and wildness. They have a particular interest in practices that centre place-based bonding and responsibility, and that complicate the myriad of essentialisms underpinning the Australian Colonial Project.
Aaron Claringbold artist website
Rebecca Mccauley artist website