See what’s on from our base in Brunswick and beyond ↓
Next Wave is supporting the development of ‘Inheritance’, a new production by Ryan Enniss and Robert Lewis.
Inheritance stems from a project investigating neurodiversity in Australian performing arts. It explores themes of toxic masculinity, relationships and anxiety through a kaleidoscopic journey of interconnected monologues.
Contact Persona Collective for more information.
Convened by CAST leader Dr Amy Spiers, ‘Activating Truth’ brings together artists and researchers from across Naarm/Melbourne, other parts of so-called ‘Australia’, as well as Turtle Island/Canada, to share and deepen knowledge on ways that the truth about settler colonial violence can be activated responsibly and impactfully in community and localised contexts through creative practice.
Next up from Composite:
Masculinity, race and boyhood simmer in this stylish slow-cinema debut about a Filipino-Australian father and his six-year-old son, who are navigating a family divorce.
Presented in partnership with Sunburnt.
Join us for a free workshop celebrating the richness of Deaf culture and language, led by Deaf artist Luke D King.
Luke will share an introduction to Deaf histories and give participants the opportunity to learn and use some basic Australian Sign Language (Auslan).
Flow Festival presents ‘Triangle’—a unique series of lighting design workshops led by Bronwyn Pringle (Deaf Kitchen, SPIN, and Flow Festival). Bronwyn is diving into how lighting design can be more inclusive for the Deaf community.
‘Triangle’ is for the Deaf community, including Deaf, hard of hearing, CODAs, and interpreters.
Join us for a drink, explore our venue, hear about what we have planned and help shape our priorities for 2025 and beyond.
See a special screening of commissioned works from Homing Instinct—a collaborative moving image project featuring artist commissions related to housing, home and belonging.
This screening includes an artist talk by Ari Angkasa.
Join our working bee with WORLDWIDEWORMS.NET, an online space for peer-led publishing. In this event, collaborators and contributors to WORLDWIDEWORMS.NET share work in progress, including video screenings, readings, and a garden tour of the back-end of the website.
Contributing artists are Alrey Batol, Eric Jong, Jacina Leong, Ella Peck and Emily Simek.
‘Nosferatu: A Symphony of Horror’ is widely regarded to be the first and best vampire film ever made. Join us for a Halloween screening of this silent cinematic masterpiece with an original score performed live by Edwin Montgomery.
This selection of short video works made between 1997 and 2008, range from quickly captured playful scenarios to elaborately constructed narratives. Established in Naarm Melbourne in 1995, DAMP’s multidisciplinary practice over three decades has consistently addressed the relationship between artist and audience and examined individual and collective notions of value and desire.
Join us for the premiere of a new experimental performance lecture by Catherine Ryan. This ambitious, research-based work tells the tragicomic story of one of the neoclassical statues adorning the interior of Victoria’s Legislative Council in Parliament House. The work draws on the comedic travails of this political decor to critically examine the idea of connection to tradition and the telling of origin stories about the settler-colonial society of Victoria.
ShareHouse invites you into Next Wave’s home, Brunswick Mechanics Institute, for community-led workshops, performances, and conversations.
Curated by our Young Artistic Directorate - Banda
Get Tickets
↳ Saturday | Studio Day: Workshop 1 (Charlie Taylor) + Lunch & Panel
↳ Saturday | Studio Day: Workshop 2 (Adele D’Souza) + Lunch & Panel
↳ Sunday | Exhibition
Bus Projects, Engages, MEga Yoga is a participatory embodied performance that uses the structure of a yoga class inviting participants to move their bodies slowly and their minds critically.
Guest curator Rachael Archibald (Meanjin/Brisbane) has gathered lineup of artists pushing boundaries in their music-making for the next New North concert.
Alexandra Spence ~ Ode2Joy ~ ANNIHA
Next Wave is supporting the THINKING GROUND workshop series, a pilot artist-development program by theatre-makers The Voice in My Hands. Workshops are free but places are limited.
Learn more about THINKING GROUND and register for the next workshop
Guest curator Dale Gorfinkel brings lineup of Narrm/Melbourne-based musicians pushing boundaries in their areas of practice to Brunswick Mechanics:
Sounds Like Movement [Peter Fraser/Dale Gorfinkel] ~ Shh! [Anja Füsti/Rosalind Crisp] ~ Peter Blamey
Get tickets to New North Concert 16
Get tickets to New North Concert 15
Xiaole Zhan ~ Jassy Robertson ~ Tilman Robinson
Xiaole will present a ‘live anthology’ for narrator, percussion, violin, electronics and narrator—a musical setting of a collection of poems exploring the collision between music and language.
Sonic Travellers seeks to discover shared connections between sonic pasts and presents, exploring regional affinities between Australia and Southeast Asia.
The 2024 LAB program considers Next Wave’s past, present and future – with a focus on intergenerational knowledge sharing and creative responses to notions of collectivism, preservation and care – culminating in a future-focused 40th birthday party.
The Diasporic Vietnamese Artists Network is thrilled to host an evening with Pulitzer Prize-winning author Viet Thanh Nguyen in conversation with Nam Le.
Next Wave x (nexus) is a multi-sensory Radical hospitality event of experimental dance battles, cuisines and a party.
Our Young Artistic Directorate are co-curating a party in partnership with Brunswick Music Festival
Leisuretime I
Aaron Claringbold & Rebecca Mccauley
Sun 27 & Tues 29 Mar
📍 Berth 2, Federation Wharf, Princes Walk (in front of Riverland)
Get tickets
Leisuretime I is a photographic intervention inside an operating tourist ferry on the Birrarung/Yarra River, led by your friendly guide Catherine Ryan. Jump on board and join us in reflecting on the ways that photography has shaped contemporary understandings and uses of ‘natural’ spaces within the floodplains now known as Melbourne.
Float along the river seated within a camera obscura, disembodied from the outside world, and experience your surroundings reversed and upside-down, projected onto the vessel walls. Cruise with our guide as we take in some of the sights this city has to offer; floating riverside bars, outdoor BBQs, million-dollar properties, yoga in the park, and the oldest and largest surviving single dock in the world; asking, why did we get here, and how?
Content Warnings and credits
This production takes place on a boat that will travel down a river. Audience members will be in a dark space on a boat for the entirety of the show and will not be able to leave the boat for the duration of the performance. There will be low visibility during the performance, and audience members who experience claustrophobia and/or motion sickness are encouraged to contact Next Wave with any questions.
Commissioned by Next Wave for Next Wave Festival 2020. ‘Leisuretime I’ is supported by the City of Melbourne Arts Grants Program 2020, Creative Victoria and Regional Arts Victoria through the Sustaining Creative Workers Initiative, the Australian Government through the Australia Council, its arts funding and advisory body, and RMIT through its Photo Futures Lab.
Lead artists — Aaron Claringbold & Rebecca McCauley
Performer— Catherine Ryan
Scripting and devising — Aaron Claringbold, Rebecca McCauley & Catherine Ryan
Mentors— Willoh S. Weiland, Steven Rhall & Kate Golding
Thanks to Jamie Lewis and all at Next Wave for their trust, Con and Yarra River Cruises, Julieanne Axford and Gail Smith at the Wurundjeri Woi-wurrung Corporation, Roslyn Helper, Melanie Mackenzie at Museums Victoria, Eliki Reade, Bron Belcher, Tristen Harwood, Grace Connors, Christine McFetridge, Kelly Hussey-Smith, APHIDS, Marcello Rotar and Paul Murphy.
Aaron Claringbold and Rebecca McCauley are artists currently based in Naarm/Melbourne. Starting from a place of photographic practice, the pair bring together shared interests to explore land, land use, ecology and human presence within modern day ‘Australia’. Reflecting on their shared positionality as settler-descendant white Australians, they are interested in how we form ideas (and who benefits from these ideas) of nature and wildness. They have a particular interest in practices that centre place-based bonding and responsibility, and that complicate the myriad of essentialisms underpinning the Australian Colonial Project.
Aaron Claringbold artist website
Rebecca Mccauley artist website